Jack Sal |
Born: Waterbury, Connecticut 1954
Lives and Works: New York, NY & Todi (PG), Italy |
 
Education
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Art Institute of Chicago |
Master of Fine Arts |
1978 |
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Philadelphia College of Art |
Bachelor of Fine Arts |
1976 |
Publications:
As Author/Artist/Book Design:
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White/Wash II
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Oficyna Scriptum Kielce, Poland
Texts by Sam Gruber and Jack Sal
Malgorzata Bielecka, Project Coordinator
|
2005
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Cafè/Caffè
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Combo Press New York, NY
Caffè Quadro Venice, Italy
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2005
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White/Wash
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Oficyna Scriptum Kielce, Poland
Text by Jack Sal
Malgorzata Bielecka, Project Coordinator
|
2003
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New York Drawings
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Galleria Multigraphic Venice, Italy
Text by Geràrd A. Goodrow
|
2001
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The Primary Drawings
3+1
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Maschietto&Musolino Florence, Italy
Poetry by Bruno Corà & a text by Jack Sal
|
2001
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Wire/Works
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Salon Verlag Köln, Germany
Reiner Speck & Gerhard Theewen, Editors
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2001
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Haus/House - Probe/Be
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Schuster Verlag Gelnhausen, Germany &
Neue Kunst Konstanz, Germany
|
2000
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Pos/Neg
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Museum Ludwig Köln, Germany
Verlag Locher Köln, Germany
Texts by Reinhold Mißelbeck & Jack Sal
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2000
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Re/Place
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Edizioni Genoma Città di Castello, Italy
Texts by Jack Sal
Petra Volkwien, Project Coordinator
|
1998
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Re/Flection
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Avivson Books London, England/
Museum für Konkrete Kunst Ingolstadt, Germany
Texts by Jack Sal
|
1997
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Project/Projekt
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Museum Ludwig Köln, Germany
Texts by Reinhold Mißelbeck, Bruno Corà, and Jack Sal
|
1995
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Re/Action
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A.E.I.U.O. Editrice Inonia Rome, Italy
Texts by Jack Sal
Bruno Corà, Editor
|
1993
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Mark/Making
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Combinations Press New York, NY
Texts by Jack Sal
Additional text by Roger Baldwin
Mary Ann Lynch, Editor
|
1983
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Exhibition Catalogues:
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Progetto per Foligno
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Auditorium San Domenico
Foligno, Italy
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2005
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Cooking Art Museum
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Comune di Collazzone
Colazzone, Italy
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2005
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White/Wash II
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United States Commission for The Preservation of Americas
Heritage Abroad/City of Kielce Poland
|
2005
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Impermanenza
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Scuola Grande di San Giovanni Evangelista
Venice, Italy
Giancarlo Vianello, Curator
|
2004
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Wandering Library; Temporary Edition/Markers IV
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Biennale Di Venezia/Museo Ebraico di Venezia
Venice, Italy
Doron Polak, Curator/Project Coordinator
|
2003
|
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VerSantiSibillini
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Comune di Cascia
Cascia, Italy
Daniele Di Lodovico & Fulvia Porena, Curators
|
2003
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Viaggiatori sulla Flaminia
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Galleria Comunale D'Arte Moderna
Spoleto, Italy
Franco Troiani, Project Coordinator
|
2003
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Collezione Permanente; Nuove Acquisizioni
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Centro Per L'Arte Contemporanea Luigi Pecci
Prato, Italy
Bruno Corà, Curator
|
2002
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Salt-Menneske
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Denmarks Saltcenter
Mariager, Denmark
Steen Rasmussen & Finn Have, Project Coordinators
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2002
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Markers II
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EAM Kassel
Kassel, Germany
Doron Polak, Curator/Project Coordinator
|
2002
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Lo Spirito Del Lago
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LPdL E.V. Isola Bella, Italy
Verlag Locher Köln, Germany
Peter Gilles & Brigit Kahle, Project Coordinators
|
2002
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Markers
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Biennale Di Venezia
Venice, Italy
Doron Polak, Curator/Project Coordinator
|
2001
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Milestones for Peace
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Biennale Di Venezia
Venice, Italy
Iris Elhanani, Curator/Project Coordinator
|
2001
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Hicetnunc
Ressegna di Arte Contemporanea
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X Edition
San Vito al Tagliamento Italy
Edizioni Biblioteca
dell’Immagine
|
2001
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Dieci Anni 1990-2000
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Albornoz Palace Hotel
Spoleto Italy
|
2000
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Il Pensiero Dell'Arte
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CERP/Rocca Paolina
Perugia, Italy
Antonio Carlo Ponti, Curator
|
2000
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Viaggiatori sulla Flaminia
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Galleria Comunale D'Arte Moderna
Spoleto, Italy
Franco Troiani, Project Coordinator
|
2000
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Construction in Process - The Earth is a Flower
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International Artists’ Museum
Bydgoszcz Poland
|
2000
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Kuratoren zu Gast
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Galerie Olaf Stüber
Berlin, Germany
Stefanie Hering,
Curator
|
2000
|
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Viaggiatori sulla Flaminia
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Galleria Comunale D'Arte Moderna
Spoleto, Italy
Giuliano Macchia & Franco Troiani, Coordinators
|
1999
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Hafia International Installation Triennale
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Haifa Museum of Art
Haifa, Israel
Daniella Talmor, Curator
|
1999
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Viaggiatori sulla Flaminia
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Galleria Comunale D'Arte Moderna
Spoleto, Italy
Franco Troiani, Project Coordinator
|
1998
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Licht
Das Material Des Bilderhauers
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Nassauischer Kunstverein Wiesbaden e.V.
Wiesbaden, Germany
Gottfried Hafermann, Curator
|
1998
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Tempo e Forma nell'arte Contemporanea
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Università degli Studi di Cassino Cassino, Italy
Bruno Corà & Raffaele Bruno, Curators
|
1997
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Opera 1986-1992
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Opera
Associazione Culturale per le Arti Visive Perugia, Italy
Bruno Corà, Curator
|
1996
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Mary Judge/Jack Sal
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Fondazione Marguerite Arp
Locarno, Switzerland
|
1995
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Projects
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Galerie Brigitte Schenk
Köln, Germany
|
1995
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László Moholy-Nagy; Idee und Wirkung
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Kunsthalle Bielefeld
Bielefeld, Germany
Gottfried Jäger & Juta Hülsewig-Johnen, Curators
|
1995
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Re/Format
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Kunstverein Lippstadt
Lippstadt, Germany
Tyfun Belgin, Curator
|
1995
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Construction in Process-Co-Existence
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The Artist Museum
Mitzpe Ramon, Israel
|
1995
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Sign/Segno
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Fondazione Lungarotti
Torgiano, Italy
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1994
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Deutsche Fototages
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Postmuseum
Frankfurt/Main Germany
|
1993
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Presenze 93
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Villa Fidelia
Spello, Italy
Giorgio Bonomi, Curator
|
1993
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Arte Domani
1992 punti di vista
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Incontro Internazionli d'Arte
Ex-Hospital di San Matteo degli Infermi
Spoleto, Italy
Maria Ausilia Binda, Curator
|
1992
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Breda Photographica
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Staddt Musesum
Breda The Netherlands
|
1992
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New Jersey Arts Annual
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The Noyes Museum
Oceanville, New Jersey
Robert J. Koenig, Director
|
1992
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The Easton Circle
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The Gallery/State Theatre Center for the Arts
Easton, Pennsylvania
Karl Stirner, Exhibition Coordinator
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1991
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Clichè-verre
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Galerie Shiofusaya
Chiba-shi Chiba-ken Japan
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1990
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Das Foto als autonomes Bild; Experimentelle Gestatung 1839-1989
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Kunsthalle Bielefeld
Bielefeld, Germany
Juta Hülsewig-Johnen, Curator
|
1989
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New Art/New Material
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North Carolina State University Gallery
Raleigh, North Carolina
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1989
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A.E.I.U.O
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anno VII No. 20-22
Rome, Italy
Bruno Corà, Director
|
1987
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4 da Roma
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Antiquarium Comunale
Sezze, Italy
|
1987
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Bildshaffende Konzepte
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Fotografische Akademie GDL
Leinfelden-Echterdingen, Germany
Gottfried Jäger, Curator
|
1987
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Sol LeWitt/Jack Sal
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Opera
Associazione Culturale per le Arti Visive Perugia, Italy
Bruno Corà, Curator
|
1987
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Magazzini Generali
Genazzano ‘86
Internazionale d’Arte
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Castello Colonna di Genazzano
Genazzano Italy
A. Bonito Oliva, Curator
|
1986
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The Rutgers Archives for Printmaking Studios
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The Jane Voorhees Zimmerli Art Museum
New Brunswick, New Jersey
Phillip Dennis Cate, Director
|
1983
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Lensless Photography
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IBM Gallery of Science and Art
New York, NY
Franklin Institute
Philadelphia, Pennsylvania
|
1983
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Synergy/Artists 1+1=3
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Thorpe Intermedia Gallery
Sparkill, New York
Dominique Nahas, Exhibition Organizer
|
1982
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New American Graphics 2
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Madison Art Center
Madison, Wisconsin
|
1982
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Clichè-verre: Hand Drawn, Light Printed
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Detroit Institute of Arts
Detroit, Michigan
& Museum of Fine Arts
Houston, Texas
Marilyn F. Symmes & Elizabeth Glassman, Curators
|
1981
|
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The Independent Eye
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JCC Gallery
New Haven, Connecticut
Roger Balwdwin, Curator
|
1981
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Photographer As Printmaker
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Arts Council of Great Britian
Traveling Exhibition
Gerry Badger, Curator
|
|
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First They Wrought: New England’s Teaching Photographers
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Carlson Gallery
University of Bridgeport
Bridgeport, Connecticut
Roger Balwdwin, Curator
|
1981
|
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Contemporary Clichè-verre Prints
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Detroit Institute of Arts
Traveling Exhibition
Detroit, Michigan
Marilyn F. Symmes, Curator
|
1981
|
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Contemporay Young American Photography
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Museum of Contemporary Photography
Chicago, Illinois
|
1981
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Photofusion
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Pratt Institute
New York and Brooklyn, NY
Text by A.D. Coleman
|
1981
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Connecticut Photographers
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Art Resources of Connecticut
New Haven, Connecticut
|
1980
|
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The Photographer’s Hand
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The Smithsonian Institute
Washington D.C.
Susan Dodge Peters, Curator
|
1980
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New Photographics/76
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Central Washington State
College Ellensburg,
Washington
|
1976
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Permanent Works:
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United States Commission for The Preservation of Americas
Heritage Abroad/City of Kielce Poland
|
Post-Holocaust Monument
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City of München Max Weber Platz Munich Germany
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Post-Holocaust Monument
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Santa Maria della Maternità/Gandini Chapel
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Padua Italy
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CAMeC- Centro Arte Moderna e Contemporanea
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La Spezia Italy
|
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Centro per l’Arte Contemporanea Luigi Pecci
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Prato Italy
|
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Comune di Collazzone
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Collazzone Italy
|
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Sony Deutschland GmbH
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Köln Germany
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Siempelkamp Giesserei GmbH
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Krefeld Germany
|
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Katamasu USA Inc
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New York NY
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Fraz. Piedecolle Comune di Collazzone
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Collazzone Italy
|
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The Artist Museum
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Bydgoszcz Poland
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|
The Artist Museum
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Mitzpe Ramon Israel
|
|
Vintage
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Köln Germany
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Albornoz Palace Hotel
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Spoleto Italy
|
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Hotel Chelsea
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Köln Germany
|
Art Fairs:
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Art Cologne
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Köln, Germany 1994-Present
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Art Frankfurt
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Frankfurt, Germany 2000-2004
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Art Köln-Alternative
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Köln, Germany 2004
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City of Jerusalem Fair
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Jerusalem, Israel 2002
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Arte Roma
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Rome, Italy 1992
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Video/Audio (as subject):
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Kulturnyt
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Danish State Radio
|
2003
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White/Wash
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KvP-Polish Private Television
|
2003
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Re/Pose
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Marco Prati Productions (Italy)
|
2003
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White/Wash
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Radio Kielce
|
2003
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Red/White
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Senko Studio (Denmark)
|
2003
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Piedecolle
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TEF-(Italian Private Television)
|
2002
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Max-Weber-Platz
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Aleph Film for RAI Tre (Italian National Television)
|
2000
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Stable/Unstable
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BvP-Polish Private Television
|
2000
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Construction in Process VII
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TvP- Polish Private Television
|
2000
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KulturSW
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SW-German State Televesion
|
1999
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Kulturwelt
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ARD (Germany)
|
1998
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Roxy Bar
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Tele Monte Carlo-TMC (Italian Private Television)
|
1998
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Up/Side/Down
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TV-Werbestudio Räth (Germany)
|
1997
|
Photographic Portrait Book:
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Souvenirs by Benjamin Katz
|
Verlag Könemann Köln Germany
|
1996
|
Text Books & Critical Essays:
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Moholy: 100 jahr
|
Photographer & Illustrated
Gottfried Jäger, Editor
Biel Verlag
|
1998
|
|
über moholy-nagy
|
Photographer & Illustrated
Jäger, Gottfried / Wessing, Gudrun, Editors
Kerber Verlag
|
1997
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|
Photography
|
Contributing Editor, Photographer & Illustrated
Upton & Upton/B. London Chief Editor 5 Editions
Little Brown Books
|
1984-1993
|
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Fotoästhetik
|
Photographer & Illustrated
Gottfried Jäger, Editor
Verlag Laterna Magica
|
1991
|
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Generative Foto
|
Photographer & Illustrated
Gottfried Jäger, Editor
Manzona Verlag
|
1990
|
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Bildgebende Fotografie
|
Photographer & Illustrated
Gottfried Jäger, Editor
DuMont Buchverlag
|
1988
|
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The New Photography
|
Photographer & Illustrated
Reeve and Sward, Editors
Prentice-Hall, Inc
|
1984
|
Magazine & Newspaper Reviews:
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Il Giornale dell’ Umbria
(Italy)
|
April 18, 2004
“Artisti all’Aperto” (Foligno)
|
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Corriere dell’ Umbria
(Italy)
|
June 7, 2003
“Al teatro romano di Spoleto Jack Sal ricordo David Smith”
|
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Corriere dell’ Umbria
(Italy)
|
June 6, 2003 (Photo)
“Al Romano una Mostra, quaranta’ anni dopo”
|
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Kielekie Echo Dnia N. 117
(Poland)
|
May 22, 2003
Sztuka ze wszystkiego (Photo)
|
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Gazeta Wyborcza
(Poland)
|
May 20, 2003
„Skandal-tylko na zamówienie” (Photo)
Text by Juliusz Cwieluch
|
|
Viborg
(Denmark)
|
May 19, 2003
“Jack-fra New York” (Photo)
Text by Thea Jessen Kristensen
|
|
Corriere dell’ Umbria
(Italy)
|
January 4, 2003
“Un artista ispirato da Zabaglia” (Photo)
Text by Daniele Di Lodovico
|
|
Nordjyske Stiftstidende
(Denmark)
|
August 30, 2002
“10 Internationale kunstnere…” (Photo)
Text by Maj Bjerring Sørensen
|
|
Berliner Zeitung
(Germany)
|
July 8, 2000
“Es raunt der Dialektiker des Materials”
Text by Vera Görgen
|
|
Corriere dell’ Umbria
(Italy)
|
April 2, 2002
“Mary e Jack, coniugi e artisti” (Photo)
Text by Antonio Carlo Ponti
|
|
In Viaggio
(Italy)
|
February 2002 2002 N. 53
Special Umbria: Personaggi…(Photo)
Text & Photo by Sandro Vaninni
|
|
Südkurier
(Germany)
|
October 2001
Big Cities auf der Tüte
Text by Erich Gropper
|
|
Titolo
(Italy)
|
Fall 2001 Anno
XII N. 36
“Spigolature bibliografiche” (Photo)
Text by Giorgio Bonomi
|
|
Class
(Italy)
|
November 2001 2001 N. 11
“Camera con vista. Sull’atelier” (Photo)
|
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Berliner Morgenpost
(Germany)
|
May 29, 2001
“Bilder im Raum die den Raum ins Bild rücken”
Text by Christiane Meixner
|
|
Art in America
(USA)
|
March 2001
“Woodstock on the Breda” (Photo)
Text by Richard Vine
|
|
Frankfrter Allgemeine Zeitung
(Germany)
|
May 14, 1999
“Überall in Ort Umrisse von Wohnräumen”(Photo)
Text by Beate Taudte-Repp
|
|
Südkurier
(Germany)
|
May 11, 1999
“Vom Wesen vergoldeter Kontaktstife” (Photo)
Text by Erich Gropper
|
|
Gelnhäuser Tageblatt
(Germany)
|
May 3, 1999
“Kunststoff als Stoff für moderne Kunst”(Photo)
Text by Jochen Schneider
|
|
Wiesbaden Tageblatt
(Germany)
|
January 17, 1998
“”Licht” wirft Schatten voraus” (Photo)
|
|
Kölner Stadt-Anzeiger
(Germany)
|
September 27/28, 1997
“Die Sparsamkeit schafft freiheit”
Text by Beate Eickhoff
|
|
Westfalen-Blatt Bielefeld
(Germany)
|
May 26, 1996
“Alles verändert sich” (Photo)
Text by Kerstin Dierks
|
|
Il Messaggero
(Italy)
|
May 14, 1996
“Artisti contemporanei, la città diventa un museo”
|
|
Westfalen-Blatt Bielefeld
(Germany)
|
May 5, 1996
“Installiert und begrübelt:IN/SIDE/OUT” (Photo)
|
|
Bonner General-Anzeiger
(Germany)
|
April 24, 1996
“Bilder sprudeln ins Leere: Jack Sal Im Hering Raum”
Text by Martin Seidel
|
|
TAZ-Die Tageszietung Berlin
(Germany)
|
March 3, 1996
“Die Spuren kaum sichtbar vergangener Ziet”
Text by Hajo Schiff
|
|
Hamurger Morgenpost
(Germany)
|
February 22, 1996
“Fotos, die die Welt verstecken” (Photo)
Text by Kai-Uwe Scholz
|
|
Kölner Stadt-Anzeiger
(Germany)
|
September 14, 1995
“Ein schönes Speil mit Linie und Licht” (Photo)
Text by Andrea Jonas-Edel
|
|
Patroit-Lippstadt
(Germany)
|
May 12, 1995
“Bodenobject made in Lippstadt” (Photo)
|
|
Kölner Stadt-Anzeiger
(Germany)
|
July 5, 1994
“Ein Reise durch die Zeit”
Text by Justus Jonas
|
|
Eikon
(Austria)
|
1995/1996 1995/96
N. 16/17
“Interview with Jack Sal” (English)
|
|
Art News
(USA)
|
October 1993
“Germany: Things are Moving” (Photo)
|
|
Impulse
(Germany)
|
March 1993 1993 N. 3
“Bei Kunst haben jetzt die Käufer das Sagen” (Photo)
Unsigned
|
|
Kölner Stadt-Anzeiger
(Germany)
|
January 23/24, 1993
“Die zweite Natur der Stücke” (Photo)
Text by Beate Eickhoff
|
|
Forever Moore
(USA)
|
October 1991
“Moore’s Soviet Connection; Jack Sal in Moscow”
Text by Beverly Almgren
|
|
Popular Photography
(USA)
|
October 1984
“Seeing through Photography”
Text by Jack Sal
|
|
Groundswell
|
1984
University of Bridgeport
Cover Art and a text by Jack Sal
|
|
Camera Arts
(USA)
|
May 1983 Vol. 3 No. 5
“Photography’s Alter Ego”
Text by Charles Hagen
|
|
PrintNews
|
April/May 1980 Vol. 2
No. 2
Cliches-verre: Prints made without ink or press
Text by Marilyn Symmes
|
|
Image
(USA)
|
September 1981 Vol. 24
No.1
“Jack Sal”
Text by Marianne Fulton
|
|
Portfolio
(USA)
|
Fall 1979 Vol. 1 No. 2
"Clichè-verre; Camerless Imagery by Jack Sal"
Text by Jack Sal
|
Cover Art:
Calliope Teething
by Luigi Attardi
Alessandro Matteo Cassin Editore
Firenze/New York/Roma
|